All of us could be players on the world stage, nevertheless the question remains why we show the psychological responses to the happenings depicted from the fiction, whether in print or visual presentation, as in real life? Much enjoy dreams our imaginations become introduced to us on the mental screen as though we were watching movies or television. And just as in dreams the actual world becomes supplanted by the virtual world even though we are fully awake. That planet still has great resemblance to the real one and everything happening in it appears real as a result of something shifting in our cognition faculty. However, the mechanism that triggers our emotional responses remains unchanged and therefore we respond to this fiction in the exact same manner as in actual life.
Here we have some similarity with the digital reality of the contemporary computer technology, which can be an artificial environment created by software. It’s presented to the audience in this manner in which the individual temporarily suspends own belief pattern and takes it as a real environment. In ways it is not different from the phenomenon of being hauled to the imagined universe of fiction, except the computer doing the task is in the mind and we have no clue as to what is the software and who’s the programmer.
This brings us into the cause of emotional response itself. In respect to fiction the most common emotions are likes and dislikes that could become their more powerful forms of love and hate. In real life we love or hate someone because of a few attachment through kinship, friendship, or even through indirect knowledge of the individual. One cannot love or hate a person one does not know at all. Attachment can also be to other living beings, material things, and to imaginary things. We love or hate a story or even an idea. For an ordinary person it is not possible to live unattached to items in the world. If a person can eliminate attachment, one unites the rank of enlightened souls that are indeed rare. We carry our capacity and desire for affection into the fanciful world of fiction. We view the characters that we come to know as the story progresses, shape our likes and dislikes, and react in the same manner as in real life except that we cannot socialize together physically. But we do socialize with them in our minds and hearts from where the feelings come. We have included a few basic items about try this site, and they are important to consider in your research. But there is a great deal more that you would do well to learn.
They will serve you well, though, in more ways than you realize. Once your understanding is more complete, then you will feel more confident about the subject. But we have kept the best for last, and you will know what we mean as soon as you have read through.
The fact is that at a specific sense is fiction. Just like a narrative it has a beginning, an end, and lot of stuff in between. We do not know who writes this fiction will ever know. So we have an inborn affinity with fiction and cannot completely detach ourselves from it. And perhaps that’s why, while studying or viewing fiction we get lost in the wonderland of imagination, but for that short period we operate exactly in the exact same manner as we would in the real world of our understanding. In that sense fiction is simply invented reality.
Theme is why fiction matters, because it’s the quality that gives the story a universal appeal. Some state motif is what the story is all about, but that is too ephemeral a definition, which may get confused with the idea or the storyline.
Theme enriches and inspires the reader when saying something profound about the human condition. Theme is the abstract notion behind the story forming the story’s heart and soul that the exposition, dialogue, and action reflect every chance they get.
Theme isn’t the characters or the storyline or the first idea that started the story. By way of instance, a writer could start with the idea of exploring family relationships between women, but as his story progresses, his theme may shape up as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.
Theme is indicated, sometimes without the author’s understanding of it in the beginning; nonetheless, more seasoned authors typically work on their theme harder than any other part of the narrative as soon as they catch on to what it is they’re writing about.
In non-fiction, the writer is advised to hone in to his subject and start referring to it right at the first paragraph. In fiction, on the other hand, the motif usually flowers through the writing as the narrative progresses.